ᛃᚨ Andrada Louis Andrada Han'drada Odi Andrada L' Ny Nilo Louis Andrada
Dried flowers tied to a stepladder in the studio, February 2026.
Street lamps and utility poles against the sky.
Bare branches across a glass tower and an older brick building, 12 April 2026.
A Lover's Gasp (2026), finished, on the studio wall.
Elders Responsibility and Petals of the Past (both 2026) on the plywood wall of the studio, July 2026.
Paintings wrapped in bubble wrap, March 2026.
A church spire in silhouette, May 2026.
Smoke rising against a metal wall, July 2026.
A dark doorway beside a litter bin.
A construction fence with a CAUTION sign.
Andrada beside One Without Half (2026) at Art Week Toronto, Artscape Youngplace, August 2026.
A lit WHISKY sign on a brick wall at night, March 2026.
Four works by Andrada on display at Carbonic Coffee, a café at 37 Baldwin Street, Toronto. His work has hung there since 2026.
A pen drawing of a building's windows and terrace in a pocket sketchbook, July 2026.
One Without Half (2026), seen through a doorway at Art Week Toronto, Artscape Youngplace, 15 August 2026.
Works still wrapped in plastic before the hanging at RCHIVE, June 2026.
Andrada beside a lamppost wrapped in string lights, looking up at the camera, March 2026.
Andrada at the same lamppost, hands in his pockets, photographed from above, March 2026.
A hanging plan: seven of Andrada's 2026 paintings arranged on a grid.
An abstract ink page of hatching and tally marks, July 2026.
A sketchbook spread: heads above a group of standing figures, August 2026.
Dois Lados da Moeda, Cara and Coroa (2026), three small paintings on pressed cardboard, on the easel, April 2026.
A car passing in a blur.
A sketchbook spread: three heads above a tall figure, August 2026.
Ballad of Lost Dreams (2026), finished, on the studio wall.
Poster for Art Gallery, a one-night show of four artists at RCHIVE, 780 King Street West, Toronto, on 4 June 2026. Andrada exhibited seven works, all from 2026.
A sketchbook spread: dense black branches above standing forms, August 2026.
An ink drawing of a face, July 2026.
A seated figure in a cluttered interior, in high-contrast black and white.
Handrails and ceiling inside a transit vehicle, 13 April 2026.
A pole covered in stickers and posters.
A yellow apple held over a sidewalk, September 2026.
Subject N.5 (2026) on the wall of the third studio.
A cyclist crossing a street, 13 April 2026.
Andrada sketching in a pocket notebook on a stone wall, August 2026.
Two people in a shop, seen from close behind.
A closer view of the same moment: Andrada, head bowed, beside the lamppost.
Andrada at the lamppost with his head bowed, March 2026.
A narrow passage along a brick wall with graffiti, 13 April 2026.
Poster for Art Week Toronto 2026: 100 artists over three days at Artscape Youngplace, 14 to 16 August.
A Queen Street sign and a traffic light, seen from below, 12 April 2026.
Andrada with flowers in front of his wall at RCHIVE, on the night of the Art Gallery show, 4 June 2026.
A sketchbook spread: an upside-down figure above a figure in a coat, August 2026.
Silhouette man (2026), finished, on the easel in the third studio.
Andrada painting fine white lines into a black canvas, February 2026.
Works in progress in the third studio, 2026.
The same spread of faces, seen from above, September 2026.
Palm trees under the glass dome of the Palm House at Allan Gardens, Toronto, September 2026.
A doorway in an old brick wall.
Carved stone gateposts and an iron fence before a sandstone building, in black and white.
A cast-iron post with Gothic tracery, hung with chains.
Jogo da Forca (2026), finished, on the easel in the third studio.
The birdcage spread, scanned in high contrast.
A man in sunglasses walking a bicycle along a sidewalk, 13 April 2026.
Subjects N.3 & 4 (2026) leaning against the wall of the third studio, beside a record player.
A sketchbook spread of five faces in ink, September 2026.
Works waiting to be hung at RCHIVE on 4 June 2026, the day of the Art Gallery show.
Lilies in a vase by a window, October 2026.
Andrada's artist badge for Art Week Toronto 2026, presented by RCHIVE.
A sketchbook drawing of a street pole with its cables and a street sign, July 2026.
A street lamp against the corner of a building, seen from below.
A sketchbook spread: three heads above a crowd of faces, August 2026.
The glass entrance of CIBC Square, Toronto, August 2026.
Sunlight from a small window falling on a white wall, August 2026.
A sketchbook spread: a gaunt face and torso on a black ground, August 2026.
v. Autogamous (2026), 84 × 84 in, against the plywood wall of the studio, August 2026.
Two passers-by reflected in a convex street mirror beside a sign.
A sketchbook drawing of two gaunt figures, headed "us.", July 2026.
A bare tree before a building of tall windows.
A woman walking down a narrow street lined with railings.
The Dahu Hotpot sign on a dark building, beside bare trees.
A close portrait of a person in glasses, in hard black and white.
A can of Diet Coke held up indoors, October 2026.
A sketchbook spread: a standing figure in heavy black strokes, August 2026.
A sketchbook spread: two birdcages hanging from a tree, one holding a figure, July 2026.
A sketchbook spread: two pale faces on black pages, August 2026.
Andrada's wall at RCHIVE's Art Gallery show, June 2026: seven works, all from 2026.
Andrada painting Ouro de Tolo (2026), oil on handmade velvet paper, July 2026.
Andrada opening a stairwell door, a can in one hand.
Paint tubs and ballpoint sketches of faces on a studio table, July 2026.
A sketchbook spread: three heads above a figure, August 2026.
A pedestrian seen from behind at a corner with a stop sign.
A sketchbook spread: reclining figures in loose black strokes, August 2026.
The Toronto skyline at night, reflected in the water, August 2026.
RCHIVE's announcement of Art Week Toronto, 14 to 16 August 2026 at Artscape Youngplace, with one of Andrada's paintings.
A sketchbook spread: three heads and a flower, August 2026.
The café and tall-figure spread, scanned in high contrast.
A bouquet in brown paper on a concrete floor, February 2026.
Andrada's third studio, in the living room of a larger apartment, after a month in a shared artist space. A blank canvas waits on the easel.
A sketchbook spread: two heads lying sideways, August 2026.
The Hasty Market sign above a storefront.
A skateboarder in motion, blurred, September 2026.
Andrada's own shadow on a dark lane at night, September 2026.
A painting in progress on the easel in the third studio, 2026.
A sketchbook spread: a café table under an umbrella, and a tall, thin figure, July 2026.
Andrada beside One Without Half at Art Week Toronto, August 2026, with three smaller works to its left.
Six gaunt standing figures in black ink across a sketchbook spread, July 2026.
A silhouette behind a frosted window grid, May 2026.
A sketchbook spread of dark faces, August 2026.
A brick building with graffiti at street level, 15 April 2026.
Despair (2026), finished, on the studio wall.
An all-way stop sign and a traffic light before an apartment tower.
An untitled 2026 painting on the easel in the third studio.
A face emerging from a black ground on a small canvas, July 2026.
Self-portrait, finished, on the easel in the third studio.
Untitled (Death), 2025, against the wall of the third studio, with a stepladder and work lights.
Untitled (Death), 2025, a nine-foot painting on plywood, against the wall of the third studio.
A glass of whisky and a cigarette beside a painting in progress on the floor of the first studio, 2024.
Stencils and spray cans from the first heart-flower test, first studio, 2024.
Andrada at a plywood hoarding layered with torn posters, Toronto, 2024.
A painting in progress on the plastic-covered floor of the first studio, 2024.
Andrada painting on the sidewalk during the 2024 Yorkville Murals festival, Toronto.
The first test of Andrada's heart-flower stencil, sprayed on the mirrored door of his first studio, 2024.
The Chess Gallery, Toronto. Andrada's first exhibited works hung here from 2024 to 2025. When the owners closed the gallery and returned to Greece, he gave them some pieces.
Andrada's first studio was his first apartment in Toronto, where he worked wherever there was room. Here the finished Untitled (PEQUE-NO), 2024, lies on the floor.
A study painting taped to the mirrored door by the entrance of the first studio, 2024.
The End :)